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谁曾在阴影之中拨动琴弦
才渴望有感而发无限的赞美
谁曾与死者分享他们的因素
就再也不会忘掉最微妙的韵味
纵然池塘的倒影常常模糊不清
因此认识此图像围棋在双重境界
歌声才会变得柔和而永恒
福吉电台向偶像致敬
The ballot is the shape of things to come take one
Completely round is the perfect perperl the owestman ventors
Completely round is the steering will that leads to calm down fractures
Completely round is the golden fooit that hangs in the orange tree
Yes
The circle shape is quite right now and sad to say it can be found in a dirty low down run around
My true love gave to me
Yes
My true love gave to me
Completely square as a velvet xx said my ring would be in completely square is the envelope he wrote farewell to me
In completely square is the handkiture of i floushed constantly has it dress my tears
Ive shaand my nose till the turns bright rind for a perfect square is my true loves here he will not marry me
No
He will not marry me
Reck tangular was the hotel room true love ve ed ed to sneak through rectangular was the transom over which i had to peak through rectangular was the hotel
I am today really now rectangular wooden bux ks realize my love need the grazing flux
They say he died of the chicken pucks in part
I must agree one chicken
Too many had he trangellar is the piece of pie relationship
But now relaseesee to a price
I had no wish to win its a lasting memorie that my true love gave to me
你比波普时代美国杰出的钢琴手
爵士歌手布劳森
戴瑞一九二四年出生在纽约州下面的一个小乡村里
出生的那一天
他的哥哥们用梨花铺满了房子
他的名字中布劳森就是英文里的布拉森
幸福的被全家宠爱的小女孩
两岁开始就坐在钢琴前有意识的演奏
五岁开始学习古典钢琴
被寄予厚望去美国四大音乐学院之一的皮波迪音乐学院
但是叛逆期到了
他开始转向了爵士音乐
The i want to araronce break time
So i can know that lobit
Then knowledge do something to who dixi and band and plenty of it
Hes going to be gin in his kicplaplying in nine to twenty legs like school babuu would be fascinated with the kingdom of swing
Then and to be up which is still like jojohim was the very next thing
But i know that you go your baby
It turns out to be all that is daddy is wishing that wonderful
Wonderful jazz musician
嗯呢嗯嗯嗯
How i held the ticket on a on rock and roll and country and music
Funny chicks turn him in the beatts and so ld some called music had a rocks in his head
Listen to the grateful bid and ran down to we the electric boys go go what is noise when it base someone we forgive and forget peace in our time
Which then i can show him how to play like on net
But i eat duck it yet my monster turned out to be nothing at all like my vision
Now you tell me what is that man
A jaznews
嗯
布劳森
戴瑞个子不高
嗓音条件对传统意义的爵士歌手来说好像也不达标
都有点偏向萝莉音了
这一个看上去像是一个小精灵的女孩特别有主张
就像他两岁的时候就开始热爱钢琴和歌唱一样
当他决定做爵士歌手
就下定决心去了纽约
追求自己的艺术人生
这一段经历呢
也不能说是失败
尽管他参与了酷爵士风格的诞生
李英和
迈尔斯
戴维斯
格里莫里庚这些大神分享荣誉
但是每一个圈子都有自己的江湖
白人小女孩想要去里面分一杯羹
还是很难
于是呢
他转战欧洲
去了自由散漫的法国啊
Who is my super mini
I yeah my 咖啡不行
无皮的我是故事
一路走沙坡
呼啦啦
萨纳ve be 魔sa 普罗嗦毗
从一九五二年去法国
到一九五六年杀回美国
这中间短短四年
但已经让布劳森
戴瑞成为了一线的爵士歌手
他的一首鸟岛摇篮曲风靡法国和美国
大家呢
也都开始承认这一个小女孩
那作为自弹自唱的钢琴家布劳森
戴瑞
他的编曲呢
是经常采用简约的配置
钢琴加贝斯或者骨
更加的注重留白和呼吸感
这种器乐编配上的克制
反而是突出了歌词的文学性
比如给我波个葡萄这首歌啊
慵懒的讽刺的意味透过稀疏的琴键敲击被无限的放大
这个呢
是属于他的女性主义的输出
也是极简主义的美学
Kill me a grape
Crash me his eyes skin me a pitch
Save the first former pillow
Start me ssmoke kk to be nice
He got one me and then dont try to fool me beat you either renese me or lose me
Cracking up up bringing for catch me et me hungry
When a hwa skip when a snap
Oh i say do it jump to it send up scottboboed me a crap
Cut me a rose
Make my tea with the peddles just hang round pick up tab
Never i think me we pay you me you gpe who i say
Do it jump to it send up sketch
Boriled me a crab
Cut me a rose
Make mattea with the peddles
Just hang around
Pick up the tap
Never around me just just make me tell me agree
在法国的这四年
布劳森
戴瑞他的法式沙龙音乐的精致与爵士即兴完美的嫁接成为了招牌
而且和尼娜
西蒙一样
他开始对观众提出要求了
六零年代的时候
他在美国和迈尔斯
戴维斯演出
如果观众过于喧闹
不够专注
他就会停下来
这个就是古典音乐演奏家的气场
习惯了酒吧喧嚣的爵士音乐家是不太能够体会到的
而到了七零年代
他就从俱乐部表演变成了去音乐会
大剧场表演
去卡内基音乐厅这种地方演出了
Everywhere you go
I think you want to know im shadowing you turn around and find them
Have the step behind them shadowing you
Whenever i can
You see love you are to me love the interspsable man and video two if you do decide you walk before a bride dbecause
No m on
Just not turn around and fine im have first step behind im shadow you
Spensable man
Ill be your menus in your italian motel
Oph must be some independent can be just just to the secret service
Me me shadow ing
找音乐
布劳森
戴瑞从四零年代起
就开始在爵士音乐圈里打拼
作为一个白人女性
要在以黑人占据绝对优势的领域和一群黑人女唱将
一大批绝世命令竞争
当然是很累的
我九七四年
她创建了属于自己的唱片公司水仙花唱片
这个呢
是当时美国第一个拥有独立唱片公司的女性啊
真的是非常的厉害
能唱能弹也能写
而且声音像孩童般的清澈
非常的有辨识度
这个就是他的优势
他的作品中呢
也经常含有女性主义的视角
我在跟踪里这首歌
就是以非常俏皮的方式解构了跟踪狂的一个叙事啊
在当时也是非常的出跳的
但是不管在在什么时候
布劳森 戴瑞
他的音乐都能够展现出他惊人的适应性
他的音乐不但是作为时代的符号出现在了像广告狂人
了不起的麦瑟尔夫人这种电视剧里
到了流媒体时代呢
他更是在算法推送的海洋中
为我们的耳朵
为我们现代的疲惫的耳朵提供了一剂优雅的解药
这种跨越时空的共鸣
印证了他艺术的本质
但更重要的
我觉得是布劳森老师他的解构主义的倾向
用柔美的声线颠覆了传统爵士的雄性气质
实质上是完成了更深刻的艺术革命
伏击电台
向偶像致敬
布劳森 戴瑞
Theres a saying all says the love is blind
Still were often told seecan each shall fine so im going to seek a certain led ive that in mind havent found him id like to add his initial to my monogram
Tell me where is the shepherer for this lost lalam
Theres somebody i hope that he turns out to be someone to watch over over me
I am a little ee whos lost in in a wd all always be good to one would watch over for me
Although it may not be the man some girls figure as had soon to my heart hell carry lucky
Want you tell him please to put on some follow my need or how i need someone to watch you over me
你呢
Although he may not be the man some girls and zoom to my heart you carry see the key
Want you tell him please to put on some speed follow my lion
How i need someone to watch over me
