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mylifehasanactorpleasetotomemeyou
mynameisalberttunbar
andiamatwentytwoyearoldactor
livingandworkinginlondon
england
insixteen
twelvesomewomenwhocometoseemeonstage
saythatiamthebestlookingmaninlondon
anditendtoagreeagoodactor
mustpayattentiontohisappearanceatalltimesaswellastohisspeechandbodymovement
inordertogetthebestroles
ofcourseionlyappearinthemostpopularproductions
especiallytheplayerswrittenbywilliamshakespethegreatestwriterinallofengland
mycareerbeganwheniwasonlysevenyearsoldandthechurchorganistinmylittlevillage
hurtmesingh
heimmediatelytoldmyfather
thatishouldauditionforthechildrenschoiratthechapelroyaltosingforqueeneliliabeth
excitedmyfathertookmetosendjamespalacetoaudition
andafterwardiwasinvitedtobeamemberofacquire
itwasntlongbeforeiwasactinginplaceforthequeen
toosinceboyswithhighvoicesareneededtoplayallthefemaleroles
nowomenareallowedonstage
itjustesntdone
ihadlotsoffunwearingweegsandplayingdifferentparts
butattimesthereweretensemoments
whensomeoftheplacepokefundofthepeopleinthequeenscourt
thenobility
thelordsandladiesbecameveryannoyedatthewritersandactors
onetime
queenelizabethbecamesoangry
thateveryoneintheshowwasbrieflyputinjailforoffendingher
wheniwasthirteenqueenelizabethdied
andisoonjoinedanactingcompanyassociatedwiththeglobetheatercalledthekingsmen
thecompanymemberssaidtheylikedmyprettylooksandmysweetsoundingvoiceandhiredmeonasanapprentice
butmostofalltheylikedkedmyabilitytoread
sincemanyyoungboysinenglandcannotreadorwritetherewereotherboysinthecompanyranginginagefromtentofifteenandtheolderactorstaughtushowtospeakloudly
soanylargeaudiencewouldbeabletohearus
welearnedthegallier
adancewithquickstepsandhighjumpsandviconery
averypopulardancefromspain
ourmusicteachertaughtushowtoplaythefiddlelooteandrecorderdancingandmusicitionshiparebothskillsweneedforourvariousroles
sincetheaudiencealwaysenjoysalivelysong
butimusttellyou
wheneverisingingthesadsong
barbaraallenthetheaterflowswithtears
alltheapprenticesalsolearnedhowtofightwithwoodenswordsforthefightscenes
whicharethemostexcitingmomentsinthetheater
ihavecomealongwayfromthequire
icantellyouasaboyplayer
iwasgivenspendingmoney
whichiusedtobuytreatssuchasorangesandgingerbread
ialsoboughtbooks
ilovepoetry
howeverwewerefined
ifwewerelatemissedourrehearsalordamagedourcostumes
costumesarethebiggestexpenseforatheatercompany
sincetheyarebasicallytheclosethatpeoplewearontheverybestofoccasions
stainingoriritallyembroyededdoubletortearingofvalvetcapeisextremelyserious
theglobactingcompanyspspendshundredsofpounds
earlyoncostumes
sinceweuseverylittlescenery
elaboratecostumesarereallyimportant
whenaflagfliesfromtheroofofthetheater
peopleknowthattherewillbeaperformance
thatafternoonnowthatiamagrownmanandfamousandappapprenticehelpsmedressbackstage
ofcourse
sincemyvoicechanged
inolongerplaywomenspartsnowiplaytheleadmalerolesandimexcellentatthem
buteventhoughiamacelebrity
istillcanthelppeekinguptheaudiencethroughthecurtain
likeanovistosee
howmanypeoplehavecometoseeourplay
thegroundingsofthepoorfolk
whomuststandonthegroundrightinfrontofthestage
theypayapennytogetinthewealthypaymore
andhaveseatsontheupperbalconiesofthetheater
vendorssellfruitandnutsandyoungboysrunbackinforth
deliveringbottlesavailpeopleconverse
andsomeplaycardgames
whiletheywaitfortheshowtobegin
itisverynoisy
butwhenthetrumpetglaststhreetimes
peopleknowtheplayisabouttostart
andtheyquietdown
expectandlytodayweareperformingmcbeta
playayascottishkingofghost
threewitches
soldiersandlotsofblood
peoplearequitefondofit
andmostactorsplayseveralparts
ofcourse
iamplayingtheleadingroleofmcbeath
sowheniarrivedatthetheater
thismorningipacedbackstage
practicingmylinestomakesure
ihadmemorizedthem
allthereisamancalledabookholder
whoholdsacopyoftheplaynearthestage
sohecanwhispereraline
ifanactorforguess
butiliketobetotallyprepared
andiveneverneededanyprompting
thismorning
thestagemanagerhadadifficulttimegettingthethrooneinplacefortheactorwhoplaystheking
healsohadtroublemakingthetrapdoorworkperfectly
sotheghostcandisappearinact
toosomeapprenticeesbuzzledaboutbeforetheplayfillingpigbladderswithblood
sotheswordfightingsceneswouldlookrealtheactorshidethebatdtersundertheirarms
andthenbreakthemopen
whenanotheractorpretendstostabthem
itlooksverygory
whenthebloodspillsallovertheplace
itsagreattrickandaudiencesloveitactorsfrequentlyperformonotherstagesaroundlondon
suchastheswantheater
themiddletempletheaterandtheboresheadin
whichtheownerrenovatedsosoyscouldbeputadin
wealsotravelalloverthecountrysidetodoshowsintownsquaresandatlocalins
lastyear
iwasinvitedtotheprivateestateofanearltoprovidetheentertainmentaftersupper
butbythetime
imademyentranceoffewoftheguestswerefastasleleepsnoringsoloudlythatnoonecouldhearme
singingmyfamousversionofbarberallen
iwaspaidwellformyappearance
butifarpreferbeingattheglobe
wheremyartisticnatureistakenmoreseriouslycomeseeme
whenyouareinlondon
everyoneknowsmejustaskforthegreatalbert
dounbar
littlefox
