(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
Necktie loose in the hallway light
Champagne gone, but the hour still high
You looked at me without the room
No crowd, no mirrors, no perfume cloud
Just two people after midnight
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
Funny how the dressed-up part
Falls off first and shows the heart
When the music thins
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
Necktie, hanging low
That's when I saw what I wanted most
Necktie, half undone
You looked less like a game and more like someone
I could stay with after the lights were gone
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
No big move, no perfect line
Just the truth arriving on time
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
Necktie, hanging low
That's when I saw what I wanted most
Necktie, half undone
You looked less like a game and more like someone
I could stay with after the lights were gone
(Grooving bassline, crisp pocket, cool bounce;Studio-only recording, close lead vocal, controlled ambience, deliberate full-length pacing, let verses breathe, develop the bridge before the final chorus, final chorus repeat with resolving outro)
Some nights end by telling the truth
