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Harry Partch
别名:Harry Partch
国籍:1901 年 6 月 24 日
生日:未知
歌手《Harry Partch》 简介
哈里·帕奇(Harry Partch,1901 年 6 月 24 日 - 1974 年 9 月 3 日)是一位美国作曲家、音乐理论家和独特乐器的创造者。他使用纯律中不等音程的音阶作曲,是西方 20 世纪第一批系统地使用微分音阶的作曲家之一,与卢·哈里森(Lou Harrison)一起。他用这些调音制作了自己的乐器来演奏他的作品,并在他的书《音乐的起源》 (1947 年)中描述了他的理论和实践背后的方法。
哈里·帕奇(Harry Partch,1901 年 6 月 24 日 - 1974 年 9 月 3 日)是一位美国作曲家、音乐理论家和独特乐器的创造者。他使用纯律中不等音程的音阶作曲,是西方 20 世纪第一批系统地使用微分音阶的作曲家之一,与卢·哈里森(Lou Harrison)一起。他用这些调音制作了自己的乐器来演奏他的作品,并在他的书《音乐的起源》 (1947 年)中描述了他的理论和实践背后的方法。
该歌手下的音乐信息
共有
247
首
名称
歌手
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - VI. Conception (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - V. Leda & the Swan (Insemination) (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - IV. Chorus of Delivery from the Egg (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - III. Incubation (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - II. Conception (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini - I. Leda & the Swan (Insemination) (卡斯托耳与波鲁克斯——双子座双节奏之舞)
Harry Partch
Hand Instruments, Partch in Epilogue
Harry Partch
Gourd Tree & Cone Gong
Harry Partch
Mazda Marimba
Harry Partch
Zymo-Xyl
Harry Partch
Harmonic Canon I
Harry Partch
Boo
Harry Partch
Kithara II
Harry Partch
Surrogate Kithara
Harry Partch
Spoils of War
Harry Partch
Cloud-Chamber Bowls
Harry Partch
Bass Marimba
Harry Partch
Diamond Marimba
Harry Partch
Harmonic Canon - Harmonic Canon II
Harry Partch
Kithara
Harry Partch
Chromelodeon - Chromelodeon I
Harry Partch
Prologue - Partch in Prologue, Adapted Viola
Harry Partch
Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances
Danlee Mitchell&Gary Coleman&Dean Drummond&John McAllister&Emil Richards&Michael Ranta&Linda Schell&Harry Partch
Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California
Harry Partch&John Stannard&Danlee Mitchell&John McAllister&Michael Ranta&Linda Schell
Daphne of the Dunes
Danlee Mitchell&Harry Partch&Frank Berberich&Gary Coleman&Dean Drummond&Richard Lapore&John McAllister&Robert McCormick&Todd Miller&Emil Richards&Michael Ranta&Linda Schell
Ring Around The World:Phase One
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus,"O Crowding Woods…" (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:来自《起源》第188页的音调流变;来自《信》和俄狄浦斯第三合唱的音调流变;另一个第188页;来自俄狄浦斯《对唱》的音调流变,“哦,拥挤的树林……”)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:不协和与协和:俄狄浦斯的尾声;启示录的尾声)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Resolutions from p. 186 of Genesis of a Music; Resolution p. 187;"Familiar" Resolution (动机与音律的四分之一锯切部分 - 来自《音乐的起源》第186页的决议;第187页的决议;“熟悉”的决议)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street,"Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball,"Back to the freights for you, boy." (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:来自《街头》的旋律精妙之处,“在麦克斯韦街上,妓女们站在阴暗处……”,《美国快车》,“小子,回到货运列车上去吧。”)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother,"and we who were lost are found again…";"until our hearts are corrupted, out talent wasted, and our hope gone.";"Have we not known triumph, joy, and glory on (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:来自《黑暗兄弟》的多重调性感,“我们这些迷失的人又再次被找到……”;“直到我们的心灵被腐蚀,才华被浪费,希望破灭。”;“我们难道不曾知晓胜利、喜悦和荣耀……”)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - True and Tempered Triads (动机与音律的四分之一锯切部分 - 真实与调谐的三和弦)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Terpander's Hexatonic (动机与音律的四分之一锯切部分 - 泰尔潘德尔的六声音阶)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Fox-Strangeways Resolutions (动机与音律的四分之一锯切部分 - 福克斯-斯特兰奇韦斯决议)
Harry Partch
2 Settings from Finnegans Wake - No. 1. Isobel (《芬尼根的守灵夜》两首配曲 - 第一首 伊索贝尔)
Lola Harding&Dorothy Holden&Hilmar Luckhardt&Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:来自《被施魔法者》的旋律精妙之处)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation (动机与音律的四分之一锯切部分 - 动机与音律的四分之一锯切部分:乐器调律:作为启示的谐波卡农I;花瓣;两套簧片的克罗莫莱迪昂;启示)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Close Degrees (动机与音律的四分之一锯切部分 - 邻近音级)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Multiple Tonal Senses from Antiphony of Oedipus,"O Crowding Woods…" (动机与音律的四分之一锯切部分 - 来自俄狄浦斯对唱的多种调性感,“哦拥挤的树林……”)
Harry Partch
A Quarter-Saw Section of Motivations and Intonations - Scale of Pythagoras; Separated by 3/2's; Triads (动机与音律的四分之一锯切部分 - 毕达哥拉斯音阶;以3/2分隔;三和弦)
Harry Partch
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