Kenichi Kurumi的第二张EP，以时间的流逝为主题，捕捉城市从黄昏入夜到黎明时分的光影变化。四首歌曲分别描绘了人与人之间的距离、窗中映照的自我，以及那些未曾说出口的情感。Golden Hour Drift用温柔的旋律和流畅的groove，渲染黄昏时分城市的暖意。Wrong Timing, Right People是一首缓慢、带有爵士色彩的英文曲目，展现了Kenichi Kurumi的崭新一面。Mado ni Utsuru Watashi（窗中映照的我）在日常电车行驶的节奏与噪音中，转向对内心的凝视。Mada Todokanai Asa（尚未抵达的早晨）以原声质感和不同于先前单曲版本的情感表达，演绎迎向第一缕晨光时的心境。每首歌曲各具独特氛围，四首作品又如同同一趟夜晚旅程般自然流淌。车窗外掠过的灯火、远处模糊的身影，以及尚未到来的清晨的静谧，Kenichi Kurumi以平静而私密的视角，捕捉了日常中那些往往被忽略的细微变化与转瞬即逝的瞬间。The 2nd EP from Kenichi Kurumi.The theme of this release is the passage of time.Set against the changing scenery of the city from evening to night, and eventually into morning, this EP captures moments of distance between people, reflections of oneself in a window, and emotions that remain unspoken through four songs.Golden Hour Drift paints the warmth of the city at dusk with gentle melodies and a smooth groove.Wrong Timing, Right People reveals a new side of Kenichi Kurumi through a slow, jazz-inflected English track.Mado ni Utsuru Watashi (The Window That Reflects Me) evokes the rhythm and noise of everyday train rides while turning inward toward personal reflection.Mada Todokanai Asa (The Morning Yet to Come) embraces the feeling of moving toward the first light of day through acoustic textures and a different emotional expression from its previous single release.Each track carries its own distinct atmosphere, yet the four songs flow together like a journey through a single night.The lights passing outside a train window, blurred figures in the distance, and the quiet presence of a morning that has not yet arrived. Through a calm and intimate perspective, Kenichi Kurumi captures the subtle changes and fleeting moments that often go unnoticed in everyday life.