Morula took me, on and off, nearly 2 years to make. Whilst trying to explore the development of richer sound textures in my music, I endeavoured to retain some melodic structure. I wanted to create music that took the listener on a journey, that enabled the mind to wander, escape and 'freewheel'.Some of my reviews:Graham Getty for synthmusicdirect:'I really enjoyed a previous album by Colin, ‘Twenty4’, so when Colin sent me this (his latest album) a while back I approached it with enthusiasm, and I wasn’t disappointed.The opening title track starts atmospherically but then engages a deceptively effective sequential rhythm over which choice pads and pleasing motifs are employed. Details are altered and the feel of the track develops as the track proceeds to ensure monotony is never a factor. At times it reminded me of Schulze, at others the sequence detail brought to mind Ron Boots. A fine opener. ‘The Light Spiral’ opens with Tangerine Dream style synth washes and the piano detail is very pleasing. Then a subtle sequence emerges from the mix and slowly gathers stature taking over from the very effective ethereal layers. A subtle, understated, but highly effective track.I do like the choice of synth voices Colin uses, they blend together well and ‘Glimmer’ is another effective example of this. It’s not trying to set the world on fire, rather the purpose is to portray a chillout mood which never becomes soporific. ‘Glimmer’ touches all the right buttons, bristling with latent power. ‘River Park’ would again not be out of place on a Schulze album, more blissed out refrains give way to high quality mood sequencing. If you are looking for a Berlin School onslaught this is not the place, but for thoughtful contemplation which rises above the purely ambient this hits the right spot. ‘Chorionic’ continues the high quality, slightly more uptempo than recent tracks but the mix is cleverly done. Pads and motifs take the high ground leaving what would normally be an overwhelming rhythmic blast to simmer underneath. I particularly like the way the rhythmic sequence mutates and changes as it winds down to close the track, a particularly effective approach that I never tire of. Again the overall feel would not be out of place on a mid to late 80’s TD track.‘Amnion’ has a slightly more strident and upbeat mood but the overall tenure is still restrained and well balanced. Sequential detail, sumptuous pads, more carefully crafted motifs. Finally ‘Circular Suspension’ brings proceedings to a close with yet another well balanced and crafted sonic outing. An insistent rhythmic sequence is cajoled with all manner of synth layers.All in all this is a very consistent and high quality offering for anyone looking for the more thoughtful side of EM. (GG)'ping things (Canada):'Colin Rayment's latest disc"Morula" is an excellent collection of tracks building on the themes and ideas of his earlier release"Continental Divide". Blending drifting pads with sequenced electronics and more"Morula" is the work of a very talented artist who bears further observation. The disc begins with the title track"Morula", where a collection of sweeping pads weave around each other paired with light percussion patterns that slowly evolve and build. Tones rise and fall, blending together in a seamless stream of sound that increases in tempo but continues to draw on earlier themes. Track two,"The Light Spiral", incorporates piano elements and sequenced synth patterns over a steaming drone to create a very dramatic effect."Glimmer" features a shimmering wash of tones, sharp and crystalline in their beauty."River Park" uses oblique motion by way of a pair of drones weaving throughout each other, interspersed with the occasional snatch or phrase of other tones and sounds. Soon sequencer patterns emerge from the ether, giving the track form and further defining it's shape. The track"Chorionic" follows, featuring a series of wavelike pads slowly moving back and forth over top a steady drone eventually giving way to a beautiful and dramatic synth sequence. It's a lovely work, surely the standout track in a collection of strong pieces."Amnion" continues in a dramatic vein albeit a more subtle and slower approach than previous tracks, with sounds drifting in timeless waves, bringing to mind the sounds of the oceans."Circular Suspension" closes the disc, a dark and dramatic piece where a constant sequence plays over top a drone and steady rhythm carries the track forward. I am a big fan of Colin Rayment's earlier releases and I'm pleased to see that he has not only maintained the quality of that work but may have even surpassed it."Morula" is a fantastic and engaging disc that will no doubt help to build on Rayment's already strong reputation. (Rik - ping things)