This album is about my musical roots. I started composing electronic music around 1990 on my second home computer; a Commodore 64. It was a challenge to get most out of the limited hardware, but these limitations pushed my creativity to the maximum. I started using existing composer software, but soon wrote my own music composer, to implement special sounds I did not find in other software.The tracks on this album were created in the time between 1992 and 1996. Most of them fade out at the end, because this sounds mostly made for computer demos and games, are looping infinite. I manually fade them out after the first loop.Do not expect complex melodies or genius compositions, this was the start. Most tracks contain one single musical theme, repeated over and over again, just with a few variations. Some tracks are really experimental and I did my best with the mastering to damp extremely harsh sounds, trying to make even these enjoyable.At the end of the album are two bonus tracks. The first is an old interpretation from 1999 of the original C64"Zoomsong". I created this version using MIDI and a simple sound card which could play sampled instruments. The quality of the original was very poor, it was the analog output of the card recorded, so I remastered this track as best as I could and adjusted the speed a little bit.The second bonus track is a recent interpretation of the original"Blue Sky" song. I created this track using Ableton Live in 2013 as an experiment to recreate this chiptune sound. For the special arpeggio effect I created a synthesiser using Max for Live.