Solaro's Kulaya (Sending Light) rise into the fusion zone with the opener “Passion.” This uptempo jumps with thrust. CD continues to escalate in finding global connections throughout sound board. All songs enjoys a nice rhythm structure in directing the sound focus. Solaro de Kulaya (fāsòng guāng) páshēng dào rónghé qū de shǒu chǎng “jīqíng.“Zhè jiākuài jiézòu tiàoyuè de tuīlì. Cái tán huì jìxù shēngjí xúnzhǎo quánqiú liánjiē zhěnggè yīn bǎn. Suǒyǒu gēqǔ xiǎngyǒu hěn hǎo de jiézòu jiégòu de shēngyīn zài zhǐhuī de jiāodiǎn.Solaro's Kulaya (verzenden Light) klimt in de fusie-zone met de opener"Passion." Dit uptempo springt met stuwkracht. Cd blijft escaleren in het vinden van mondiale verbindingen in de hele klankbord. Alle nummers heeft een aardig ritme structuur in de leiding van de klankbeeld.Solaro's Kulaya (Nagpapadala ng Light) climbs sa fusion zone na may pambukas"Passion." Ito uptempo jumps na may malakas na tulak. CD ay patuloy na padamihin sa paghahanap ng mga global na koneksyon sa buong sound board. Lahat ng songs enjoys ng isang magandang istraktura sa ritmo na nagtutulak sa mga tunog focus.Kulaya Solaro de (envoyer de la lumière) grimpe dans la zone de fusion avec l'ouverture"Passion". Cette sauts uptempo avec la poussée. CD continue de s'intensifier dans la recherche connexions mondiales à travers la carte son. Toutes les chansons bénéficie d'une structure rythmique agréable à diriger la mise au point de son.Solaro's Kulaya (Senden Light) steigt in der Schmelzzone mit dem Opener"Passion". Dieser Uptempo Sprünge mit Schub. CD weiterhin bei der Suche nach globalen Verbindungen im gesamten Resonanzboden eskalieren. Alle Songs genießt einen schönen Rhythmus Struktur, den Schall zu konzentrierenSOLARO hai Kulaya (bhējanā lā'iṭa) salāmī ballēbāja kē sātha vilaya kṣētra mēṁ" junūna." Jōra kē sātha yaha uptempo kūdatā hai caṛhatē haiṁ. Sīḍī kē li'ē dhvani bōrḍa bhara mēṁ vaiśvika kanēkśana khōjanē mēṁ ḵẖarāba rahā hai. Sabhī gānē dhvani dhyāna nirdēśana mēṁ ēka acchī laya sanracanā prāpta hai.Solaro's Kulaya (Mengirim Cahaya) naik ke zona fusi dengan pembuka ini melompat uptempo dengan daya dorong"Passion.". CD terus meningkat dalam menemukan jaringan global di seluruh papan suara. Semua lagu menikmati struktur irama yang bagus dalam mengarahkan fokus suara.Soraro no Kulaya wa (sōshin-kō) kaimaku-sen to no yūgō zōn ni" passhon" suiryoku kono apputenpo no janpu nobotte ikimasu. CD ni wa, saundobōdo zentai no gurōbaruna setsuzoku o mitsukeru tame ni esukarēto shi tsuzukete imasu. Subete no kyoku wa, saundofōkasu o enshutsu de sutekina rizumu kōzō o tanoshinde imasu.Solaro ui Kulaya eun ( jeonsong laiteu ) ttagae wa yunghab yeong-yeog e" yeoljeong ." chulyeog gwa i ppaleun tempolo naogo jeompeu issdaeyo . CD saundeu bodeu e geolchyeo geullobeol yeongyeol eul chajneun sangseung hago issseubnida. modeun nolae neun solie chojeom eul jisi e joh-eun lideum gujo leul jeulgibnida .Kulaya Solaro's (envio de Luz) sobe para a zona de fusão com a abertura da"Paixão". uptempo Este saltos com impulso. CD continua a sua escalada na busca de conexões globais em toda placa de som. Todas as músicas tem uma estrutura ritmo agradável para dirigir o foco de som.Kulaya Solaro's (envio de Luz) sobe para a zona de fusão com a abertura da"Paixão". uptempo Este saltos com impulso. CD continua a sua escalada na busca de conexões globais em toda placa de som. Todas as músicas tem uma estrutura ritmo agradável para dirigir o foco de som.Solaro's Kulaya (Kutuma Mwanga) climbs katika eneo fusion na kopo"Passion." jumps Hii uptempo na kutia. CD inaendelea kusambaa katika kutafuta uhusiano wa kimataifa katika ubao sound. Nyimbo zote anafurahia nice dansi katika mfumo wa kuongoza mwelekeo sound.Solaro k̄hxng Kulaya (s̄̀ng s̄æng) climbs nı son fiwchạ̀n kạb kherụ̄̀xng peid" Passion." Kradod uptempo nī̂ mī ræng k̄hạb CD yạng khng bānplāy nı kār h̄ā kār cheụ̄̀xm t̀x thạ̀w lok tlxd thậng khṇa krrmkār s̄eīyng Thuk phelng chxb khorngs̄r̂āng cạngh̄wa dī nı kār xảnwy kār fokạs̄ s̄eīyngGoogle Translate for my:SearchesVideosEmailPhoneChatBusiness.Please Note !Our Special Thank You To All And Especially To:Michelle & Ryan Eck (Jewel Case Art Design - Front)Pierre Bee (Jewel Case Art Design - Inside & Back)Kulaya J. (Song Consulting)Candice Carroll (Design Consulting)Sarika Pujari (Notes, Text, & Story Line)Tiffany Combs & Arron Avallon (Sales Consultants) Jarvo Lassiter (Music Consulting)Melissa & Kenji Yamada (Production Consulting)Nancy Nakamura (Score Notation & Copyrighting/SPI)Mike Allison (Marketing Development)Keith Cameron & Paul Carruba (Audio Mix Down Engineering)Sound Lab West (Mastering)